A dual degree in Fashion Communication and Communication Design gave me the language- Vogue (India) gave me the eye. Since then, I've approached every fashion and accessories project as an exercise in cultural fluency, translating a brand's identity into visuals that feel premium but never performative.
I'm watching the AI conversation in design as closely as everyone else, with more curiosity than fear. I don't believe it replaces a trained eye for design or storytelling, but I do think the right tools, used selectively, can free up time for the work that actually needs a human hand. For me, it's never about defaulting to AI. It's about knowing when it earns a place in the process.
At Vogue India, I learned to design at the speed a newsroom demands. With 22+ stories published daily, every graphic and mood boards built in real time had to be fast, sharp, and instinctively on-brand. It's where I built the muscle for moving quickly without losing precision.
